Our favorite dialogue from the Broadway musical Beautiful went something like this:
toward the end of the play, before the closing scene where Carole King performs
at Carnegie Hall, Barry Mann says to her, "Carole, play one of our
songs." His wife and songwriting partner, Cynthia Weil, calls him on his
comment. His response -- "Royalties" -- elicits the following from
Weil: "Carole, play all our
songs."
We saw Beautiful,
based on Carole King's early life, in August. We'd taken the train to New York
to attend a writers’ conference sponsored by Writer's Digest. The same morning that we saw the play, we had the
opportunity to meet with our literary agent, Marilyn Allen. We were all
celebrating the news that sales of The
Big Book of HR had reached the point where our advance was covered and we
would all start receiving income from the book. For us, that meant we could
each expect a royalty check, albeit a modest one, in the near future. And as
Marilyn reminded us, "every copy that sells now will earn royalties."
For authors and composers, a royalty is a sum of money
paid to the original creator of a product, book, or piece of music based on how
many copies have been sold or for each public performance of a work. Wow, we've
something in common with Carole King, albeit on a much smaller scale. As our
colleague Sharon Armstrong would say, "Fabulous!"
While we can dream about selling millions of copies of
our book, we have no expectations of depending on its royalties to support
ourselves. But there are many artists, composers, and authors whose livelihoods
do depend on royalties. They bring their talent and intellectual capital to the
marketplace and have every right to expect to be compensated for it. Through
copyrights, they have the legal right to be the only one to reproduce, publish,
and sell a book, musical recording, etc., for a certain period of time.
Five exclusive rights are granted to copyright holders
under the Copyright Act of 1976:
·
the right to reproduce (copy) the work into
copies and to exclude others from doing so
·
the right to create derivative works of the
original work and to exclude others from preparing such derivative works or
creations
·
the right to distribute copies of the work to
the public by sale, lease, or rental, and to exclude others from such
distribution
·
the right to perform the work publicly (if the
work is a literary, musical, dramatic, choreographic, pantomime, motion
picture, or other audiovisual work), and to exclude others from doing so
without paying royalties
·
the right to display the work publicly (if the
work is a literary, musical, dramatic, choreographic, pantomime, pictorial,
graphic, sculptural, motion picture, or other audiovisual work), and to exclude
others from doing so
It’s important to respect the intellectual capital of
others and honor the creator’s right to receive compensation for his or her
original work. Don’t infringe on their rights and don’t expect something for
nothing.
To thank all our readers who’ve supported (and purchased)
The Big Book of HR, we’ve got one
short message, “You’re Beautiful!”
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